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Mmerikani (Swahili & English)'s avatar

Louise, you are so kind to include a description of my Substack. Asante sana ndugu! This IS a really great song and even more so when I know the story behind it. Thank you for ALL of your Songs of Social Protest. I enjoy reading about their historical context and you give them new, proper life, these timeless songs. What a fun and engaging way to teach language (Japanese and English), culture, history, and humanity. You are a wonderful teacher!

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Mitsuru Hiki's avatar

Thank you, Louise, for the introduction of amazingly resilient musicians.

Just a thought of how they feel when they sing/play this song makes me feel sad and even suffocating because (I guess) they can’t sing/play this song (their own unreasonable experience) without recalling what they don’t want to recall (maybe I'm wrong about this, but right or wrong, they are super resilient).

By the way, I’ve never seen a four-string acoustic guitar (2:12). I was wondering it is another creative adaptation of theirs just like their tricycles.

Mitsuru Hiki

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