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Wild Lion*esses Pride from Jay's avatar

Dear Louise,

Reading your adaptation of Gloria’s reflection took me straight back to the roll call square at Buchenwald.

I spoke of this moment in the Walk through Buchenwald documentary—how it felt to stand on that ground, where the silence itself holds memory. As I read your words and heard Cohen’s lyrics echo again, I found myself back there. And somehow, in my mind, I could hear the song being played. Not literally, of course, yet with a clarity that chilled me to the bone. A haunting overlap of past and present.

“Dance me to the end of love” is no longer a romantic line. In that space—on that square—it becomes a devastating echo. One that carries the unbearable weight of forced beauty, of musicians made to play as others were marched to their deaths.

You captured the layered ache of that truth so gently, and with a quiet strength that moved me. Love, art, resistance—these are not separate forces. In times like these, they are one and the same.

Thank you for adapting Gloria’s powerful piece and bringing it into a space where even learners of English can feel the full scope of what this song carries.

With respect and remembrance,

Jay

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Gloria Horton-Young's avatar

What you have written brings his song to a whole another level of passion and pain. Thank you for sharing his work.

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